| Summary/Abstract |
This article argues that popular culture can make an important contribution to security studies, and especially critical security studies, either by offering alternative narratives that challenge the dominant view of security or by deconstructing the process of securitization. It then examines a genre of popular culture that until now has been largely ignored by security studies, noir police procedural novels, and shows how the contemporary police detective can no longer be viewed in the same way as the defender of the status quo depicted in the traditional police procedural. At the same time, he or she does not correspond to the portrait of the security professional, a member of those forces that contribute to the way security is officially defined. He or she has become, instead, a critic of prevailing security practices. To illustrate how this has happened, the article takes novels from two well-known authors of noir procedurals – Faceless Killers by Sweden’s Henning Mankell and Rounding the Mark by Italy’s Andrea Camilleri – and explores how their two very different police detectives, Kurt Wallander and Salvo Montalbano, treat the fears, anxieties and insecurities aroused by immigration in their respective societies and, in doing so, assume in their own way the role of critical security analyst.
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