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ID:
140514
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| Summary/Abstract |
In December 2010, HarassMap was launched as a Cairo-based interactive online mapping interface for reporting and mapping incidents of sexual harassment anonymously and in real time, in Egypt. The project’s use of spatial information technologies for crowdmapping sexual harassment raises important questions about the use of crowdsourced mapping as a technique of global human security governance, as well as the techno-politics of interpreting and representing spaces of gendered security and insecurity in Egypt’s urban streetscape. By recoding Egypt’s urban landscape into spaces subordinated to the visual cartography of the project’s crowdsourced data, HarassMap obscures the complex assemblage that it draws together as the differentially open space of the Egyptian street – spaces that are territorialized and deterritorialized for authoritarian control, state violence, revolt, rape, new solidarities, gender reversals, sectarian tensions, and class-based mobilization. What is at stake in my analysis is the plasticity of victimage: to what extent can attempts to ‘empower’ women be pursued at the microlevel without amplifying the similarly imperial techniques of objectifying them as resources used to justify other forms of state violence? The question requires taking seriously the practices of mapping and targeting as an interface for securing public space.
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| 2 |
ID:
193295
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| Summary/Abstract |
The term disruption has been offered as both an ethos and set of practices framed as a broad response to all manner of social and political ills. This article offers a speculative reflection on disruption as a planetary mood, and the sensory qualities of a change in politics no longer defined by governance and what is governable, but by a series of continuous experiments hedged upon the creation of new geopolitical frontiers and life forms that position all matter and contingency towards a specific kind of value tied to chaos. In thinking about the kinds of authority and legitimacy being fashioned around visions of so-called disruptive futures, I draw on materially-grounded illustrations of disruptive dispositions to examine three different arrangements of affect, feeling, and intensity being animated to give disruption its power of transmissibility and adaptability, as well as its unintuitive emphasis on disorder and ‘breaking things’ as both a moral good and unconditional response to questions concerning global conflict, crises, and instability. Ultimately, disruption as a planetary mood draws on a libidinal economy that does not bend towards justice or equity, thus warning against misanthropic commitments to collapse and the consequences of investing in a world premised on an ethos of erasure.
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