| Summary/Abstract |
One of the most exquisite illustrated books produced under the patronage of Shahrukh is a copy of Majmaʿ al-Tawarikh which was widely dispersed during the twentieth century. The dispersal of the manuscript has strongly influenced and limited its scholarly examination. The present research has traced the folios of this manuscript in numerous collections. By means of comparison with other dated codices, the illustrations of the dispersed manuscript can be classified into three distinctly different groups. This article gives an explanation of why these three styles appear side by side in the manuscript. Thereafter, it focuses on the problem of the authenticity of some of the illustrations of the manuscript.
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