| Summary/Abstract |
The Orang Sakai of Mainland Riau, on the east coast of Sumatra, have an elaborate performing art genre through which they physicalise the unseen spirit-dimension in a shamanic ritual called dikei. Their shamanic ritual utilises songs, dance as well as comedy. This article elaborates on how songs and dance visualise the unseen beings and provides detailed examples of Sakai performances during which shamans ‘dance with’ or ‘move with’ the spirits. A second theme of the article is the question of the relationship between the meaning of ‘performance’ and fakery, and suggests that there are three types of performed fakery, two of which are accepted as valid and necessary performances which technically contribute to the performance of medicine and the physicalisation of spirit presence.
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