| Summary/Abstract |
This paper investigates the popularity of hula in contemporary Japanese society in order to understand how Native Hawaiian images and traditions play a role in constructing the image of a ‘paradise’ in Hawai`i. By drawing on the personal experience of the author as a participant observer in hula lessons and performance in Tokyo, it argues that aiming for the sense of cultural authenticity is integral to the Japanese practitioners’ attraction to hula. It also shows how Native Hawaiian hula teachers and performers skillfully appropriate the Japanese desire to discover an ‘authentic’ Hawai`i for their cultural as well as personal gain. Today’s Japanese discourse of ‘Hawai`i as paradise’ derives from the contemporary socio-cultural context of a Japanese society that longs for the authentic culture of the indigenous ‘other’ as well as from the shrewd use of that longing by the ‘other.’
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