| Summary/Abstract |
India’s post-liberalisation landscape has unexpectedly been populated by monumental iconic statues. These statues, co-emergent with an automobile and construction boom and an attendant resignification and revaluing of land, are a productive site for rethinking the role of spectacle in neoliberal globalisation from the locus of post-liberalisation India. Against theories that characterise spectacle as primarily virtual and deterritorialised, they illuminate how spectacle is enmeshed in the imaginaries, spatial politics, material processes and heterogeneous temporalities of uneven development. Their religious aspect also calls for a re-examination of Benjamin’s distinction between cult value and exhibition value.
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