| Summary/Abstract |
Dozens of people are gathered outside Shamsi’s Film Studio in Korangi Industrial Area on a sweltering Karachi evening this June. They are all pleading with the guards to let them in. “We were told that entry passes are available at the gate, but they are not,” says an elderly woman with two children, without clarifying the source of her information. “We have come here from so far, please don’t send us back,” she adds, to no avail.
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