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| Srl | Item |
| 1 |
ID:
187281
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| Summary/Abstract |
This article analyses how past and contemporary Adivasi voices are expressed in colonial photographs, and how they have—and continue to—both enable and restrict speaking through visual representation. It examines the collection of the German anthropologist Egon von Eickstedt, who in the 1920s took about 12,000 photographic images and 2,000 objects from Adivasi communities in India, Ceylon, and Burma. As a racial anthropologist he defined and framed the photos and created the collection according to his own preconceptions. The photographs, embedded in a colonial context and an increasingly racial/racist German anthropology, reveal very asymmetric power relations. Yet, the voice of the Adivasi is not completely suppressed, as the photographed people are not mere objects, but find various ways of expressing sentiments in the photographs. Ninety years on, the images and objects have lost none of their ambiguity. They continue to resonate when newly arranged and criticized in the permanent exhibition of a German museum, as well as when curated at the Museum of Voice of the Adivasi Academy in Gujarat.
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| 2 |
ID:
149928
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| Summary/Abstract |
The German Energiewende, or energy transition, is an ambitious suite of policy measures which aim to decarbonize the German economy and achieve an almost complete transition to an energy system based on renewable energy by mid-century. This article contends that the energy transition is also a social process. We develop a provisional local ethnography of the Energiewende, an account of the lived experience of this social process from the perspective of villagers in Atterwasch, Kerkwitz and Grabko, in the region of Lusatia in Eastern Germany. Their experiences are particularly salient, since their villages are facing demolition to make way for the expansion of the nearby Jänschwalde coal mine. The villagers’ struggle to defend their homes highlights a fundamental contradiction in the energy transition, sometimes referred to as the “coal conundrum”. The contest over the future of coal in Lusatia can be seen as a struggle to control key cultural ‘scripts’ or narratives, of home, belonging, ecological modernization, climate change, and democratic deficit. Our research suggests that any resolution of the coal conundrum, and effective implementation of the Energiewende, must be informed by an understanding of these scripts, and how they underpin the motivations and mentalities of different social actors.
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