| Summary/Abstract |
This analysis investigates the limits of colonial modernity in the 20th century Dutch East Indies at a time that coincided with the building of the Indonesian national project. I am interested in the constitution of the national teleology as an inexorable socio-political project, deploying specific racial and gendered economies. As a locus of investigation I choose the literary narratives of two celebrated Indonesian intellectuals (and participants in the anti-colonial struggle), Pramoedya’s Buru Quartet and Mangunwijaya’s Durga/Umayi. Were the impulses of anti-colonial resistance intrinsically national in their orientation? Through what erasures and re-appropriations has the nationalism/modernity paradigm become the medium of decolonisation?
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