| Srl | Item |
| 1 |
ID:
152559
|
|
|
|
|
| Summary/Abstract |
It is a known fact that classical Persian poets were partial to poetic meters composed of eight feet, known as muthamman. On this topic, however, two issues remain unsolved: How did the Persian poets devise these meters in the first place? Despite their flagrant predilection for eightfold meters, why did the Persians never use such meters as sarīʿ and qarīb in this form? This paper argues that the Persians, influenced by the structure of the Arabic eightfold base meters, crafted their muthamman meters after a specific process of reduplication. This theory also accounts for the lack of eightfold sarīʿ and qarīb meters, their structure being incompatible with the reduplication process.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 2 |
ID:
171312
|
|
|
|
|
| Summary/Abstract |
The tadhkira (biographical anthology) represents one of the most prolific and prevalent categories of texts produced in Islamicate societies, yet few studies have sought to understand the larger processes that governed their production and circulation on a transregional basis. This article examines and maps the production, circulation, and citation networks of tadhkiras of Persian poets in the 18th and 19th centuries. It understands tadhkiras of Persian poets as a transregional library that served as a repository of accessible and circulating texts meant to be incorporated, reworked, and repackaged by a cadre of authors separated by space and time. By relying on a macroanalytical approach, quantifiable data, and digital mapping, this article highlights the overall construction of the transregional library itself, the impact of state disintegration and formation on its constitution, and the different ways authors on opposite ends of the Persianate world came to view this library by the end of the 19th century.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|