| Summary/Abstract |
This article explores the political significance of the narratives of partisan warfare that appear in American popular culture. I draw on Carl Schmitt’s concept of the ‘telluric partisan’ – a figure that fights outside the normative boundaries of conventional war in defence of a homeland and the traditional identities that are rooted in it. These fantasies provide a sense of moral clarity, promote national unity, characterise enemy aggression, and glorify traditional values. They establish a ready-made narrative that can be invoked to frame conflicts in terms of the heroic defence of an innocent and victimised people protecting themselves against foreigners and their dangerous ideologies. As I show, this call for popular engagement in war generally serves a conservative project of directing potentially revolutionary expressions of populism and vigilante justice into defence of family and the territorial status quo.
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