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ID:
156431
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| Summary/Abstract |
This article considers the economic effects of corporatization processes in Africa through an analysis of the intervention of French media companies in the economy of Nigerian video film distribution in French-speaking West Africa, and particularly in Côte d'Ivoire. In a global context that is marked by the price volatility of raw materials such as oil and copper, screen media have been described as the new ‘African black gold’, attracting the interest of a large number of both African and non-African players and setting in motion a process of the ‘corporate takeover’ of African screen media industries. Analysing this process can help us to understand wider economic transformations in Africa. This article examines what we might call the ‘technopolitics’ of Nigerian video films’ circulation and their historical transformations by examining the micro-dimension of the experiences of a number of West African video film producers and distributors, and the macro-dimension of the activities of a French corporation, CanalPlus, which is investing in Nollywood's distribution. It argues that Nollywood has acquired a strategic function for French enterprises that are investing in Africa, as evidenced by the transformation of Côte d'Ivoire's role in the economy of Nigerian video films’ transnational circulation. This suggests a new and transformed dimension to France's economic and political relationships with sub-Saharan Africa, as well as a more nuanced assessment of the politics of African neoliberalism.
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| 2 |
ID:
157861
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| Summary/Abstract |
This article examines representation of the conflict in Darfur by the media in Kenya, South Africa, Egypt and Rwanda. It analyses 850 newspaper articles published from 2003 to 2008 and journalist interviews from Kenya and South Africa. Using Mbembe’s articulation of ‘meaningful acts’ and Bourdieu’s field theory, the article highlights how the intersection of geopolitics, symbolic affirmation of unity and ‘Africanness’ and a ritualistic use of official sources led African media fields to mimic the global north in how they have framed the Darfur conflict. The most striking finding from the analysis of how these four countries reported the violence in Darfur is the salience of the ethnic conflict frame. However, the ethnic conflict frame was used in African media differently than in Western media, which often assumed a path-determined relationship between conflict and tribal identities. In contrast, African journalists used the ethnic frame to domesticate the news and as a part of specific political project to demarcate which actors should be understood as Other and with which actors audiences share an affinity.
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