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ID:
177054
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| Summary/Abstract |
What can the poetry chosen for epitaphs on graves tell us about the political and cultural development of post-revolutionary Iran and the politics of death and dying under the Islamic Republic? This article explores contemporary Persian epitaph poetry as a valuable medium for understanding the socio-political dynamics of Iranian society. By analyzing the epitaphs of the Iran–Iraq war martyrs, who are buried in Zahra’s Paradise public cemetery in Tehran (Behesht-e Zahra), a new nomenclature can be established for the religious, political and socio-cultural ideas underpinning death and the afterlife.
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| 2 |
ID:
158708
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| Summary/Abstract |
This paper explores the ever-shifting symbiosis between the village motif, social justice and populist politics in Iran over the past three decades. The village has remained a recurring motif in Persian literature, employed by a variety of writers and state institutions for a range of means. As a symbol, it has been a conduit into which any ideology can be poured; the village allegory can be manipulated to both condemn and support the official policies of the state. A comparison of Iran’s pre- and post-revolutionary literature sheds light on the ways the state literati perpetuated an idealized picture of the village as an authentic, sacred space, increasingly associated with religious nationalism during the 1980s. The paper examines the key socio-political influences on the evolution of the pastoral motif, the work of state-sponsored official poets, and the impact of the village on the cultural doctrine of the Islamic Republic.
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