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DANDEKAR, DEEPRA (3) answer(s).
 
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ID:   159388


Translation and the Christian Conversion of Women in Colonial India: Rev. Sheshadri and Bāḷā Sundarābāī Ṭhākūr / Dandekar, Deepra   Journal Article
Dandekar, Deepra Journal Article
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Summary/Abstract This article foregrounds the interstitial and hybrid third voice of a nineteenth-century Christian convert in colonial India. Bala Shundoree Tagore, a Bengali woman and wife to the esteemed Gyanendra Mohan Tagore, was declared spiritually Christian by missionaries, even though she died before being baptised. Bala's narrative production by her biographers and translators obfuscated and transformed her voice, writing her into the history of Indian missions as a success story. Refashioned as a gendered symbol for Indian Christian women from the nineteenth century, Bala's narrative was utilised by missionaries by divesting her of the agency she possessed.
Key Words Colonialism  Christianity  Conversion  Women  Hindu  Bengal 
English  Translation  Mission  Marathi 
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2
ID:   181334


Women’s ‘Retrieval’ from Pakistan: India’s Daughters’ and the Emotional History of Partition / Dandekar, Deepra   Journal Article
Dandekar, Deepra Journal Article
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3
ID:   168570


Zeba Rizvi’s memory-emotions of Partition: silence and secularism-pyar / Dandekar, Deepra   Journal Article
Dandekar, Deepra Journal Article
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Summary/Abstract This article analyses the Partition narrative of an Ashraf Muslim woman, who was seven years old at the time of Partition. Now resident in California, Zeba Rizvi was interviewed as part of the 1947 Partition Archive project, archived at the Stanford University Library. In this article, I interrogate relationships between memories and emotions of Partition, reconstituted through oral history that suggests the additional reframing of Partition-memory archives as an emotions archive. While Zeba’s interview reveals how emotional gaps are arbitrated by rapport, or absence thereof, I argue, using a phenomenological approach, that Partition memory-emotions conform to the narrator’s evolving and dynamic sense of self through time, that is also evident in the interview. Zeba Rizvi resists and reconstructs the politics of Partition in agential ways, using art to express secularism and its emotions: love-pyar, while re-inscribing and conforming to Ashraf values of gender, class and the celebration of heritage.
Key Words Partition  Memory  Emotions  Narrative  Silence 
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