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INDIAN FILMS
(2)
answer(s).
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Item
1
ID:
192937
Chinese love affair with Indian films: a promising future
/ Yaqoub, Muhammad; Jingwu, Zhang ; Matusitz, Jonathan
Matusitz, Jonathan
Journal Article
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Summary/Abstract
This cross-sectional study examines the acceptance of Indian cinema among Chinese cinephiles to determine how the audience perceives and is influenced after watching Indian films. Researchers surveyed the local Chinese audience and collected 2,129 valid self-structured e-questionnaires. Respondents belonged to Mainland China. Results showed significant characteristics that make Indian movies attractive to about 50% of the Chinese population. Findings also indicate that Chinese people still welcome good stories from India in blockbuster Bollywood films, despite tense Sino-Indian relations. Indian cinema plays a significant role as a soft power bridging both nations. The Indian film industry will continue to evolve to satisfy the audience’s needs in the future.
Key Words
Soft Power
;
Bollywood
;
Indian Films
;
China's Film Market
;
Chinese Audience Research
;
Quantitative Study
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2
ID:
162460
Dalit cinema
/ Yengde, Suraj
Yengde, Suraj
Journal Article
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Summary/Abstract
This article offers introductory remarks on the position of the Dalit in Indian cinema. It starts with the observation that the Indian film industry is an inherently caste-based, biased, mechanised product of technological industrialisation in which Dalit inclusion is not a moral concern. The mainstream film industry in India delivers the desires and principles of market and society by excluding a Dalit framework outright—a problem now being addressed by the entry of an explicitly Dalit cinema. By briefly looking at two films, Fandry (2013) and Sairat (2016), both written and directed by Dalit film-maker Nagraj Manjule, I offer a critical reading of ‘Dalit Cinema’. Taking the work of Manjule, a maverick film-maker who is establishing a new discourse of Dalit-centred socio-culturism, I demonstrate the extent to which caste narratives are absent in the Indian film industry.
Key Words
Caste
;
Hollywood
;
Dalit
;
Bollywood
;
Bahujan
;
Dalit Cinema
;
Dalit Relationships
;
Indian Films
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