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ID:
179993
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| Summary/Abstract |
This essay addresses canonisation accounts of the medieval Muslim saint Hazrat Sharafuddin Hyderabadi. According to a contemporary text, a Hindu deity was believed to have been jettisoned from the saint’s dargah, causing communal unrest in the Deccan. How can a Muslim saint be enshrined through offence in a Hindu environment, and how does this create a discourse of both rifts and bridges between Hinduism and Islam in contemporary India? The analysis traces the interdependence between the Muslim and Hindu communities and suggests a more nuanced reading than positions advanced in the current political climate and in recent legislation, which consider them to be irreconcilable socio-religious systems.
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| 2 |
ID:
164326
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| Summary/Abstract |
Dorit Feldman is a prolific Israeli artist who over the course of several decades has focused on images of wide landscapes that integrate geological, cartographical, and archeological layers.Amongst these stratified landscapes are scattered pagan images such as Classical architecture, the remains of ancient synagogues, the image known as the “Mona Lisa” from Sepphoris, and a thick book that arouses connotations to the Bible or to history in general. The basic assumption underlying this study is that the analysis of a contemporary work of art that combines ancient images and motifs requires an initial analysis of their original significances. This in turn leads to a discussion of their metaphorical meanings in relation to the modern-day experience. In the case of Feldman's works, the issues that arise are those of the relationship between religion, land, and a place; idolatry in Antiquity and its current manifestations; the significances of pagan images in a Jewish context in Antiquity in relation to contemporary Epicureanism; secular Judaism and religion; and the multilayered pluralism of Israeli culture. This study is anchored in the wider field of Classical reception studies, and thus incorporates ancient sources and research material on Antiquity as well as the contemporary experience.
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