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MISCEGENATION
(2)
answer(s).
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Item
1
ID:
186691
Creative Advance Must Be Defended: Miscegenation, Metaphysics, and Race War in Jan Smuts’s Vision of the League of Nations
/ Kripp, Jacob
KRIPP, JACOB
Journal Article
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Summary/Abstract
This paper argues that the idea of global peace in early twentieth-century liberal international order was sutured together by the threat of race war. This understanding of racial peace was institutionalized in the League of Nations mandate system through its philosophical architect: Jan Smuts. I argue that the League figured in Smuts’s thought as the culmination of the creative advance of the universe: white internationalist unification and settler colonialism was the cosmological destiny of humanity that enabled a racial peace. In Smuts’s imaginary, the twin prospect of race war and miscegenation serves as the dark underside that both necessitates and threatens to undo this project. By reframing the problem of race war through his metaphysics, Smuts resolves the challenge posed by race war by institutionalizing indirect rule and segregation as a project of pacification that ensured that settlement and the creative advance of the cosmos could proceed.
Key Words
Metaphysics
;
League of Nations
;
Miscegenation
;
Race War in Jan Smuts’s Vision
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2
ID:
164799
Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s
/ Early, Gerald
Early, Gerald
Journal Article
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Summary/Abstract
In the 1970s, pianist Keith Jarrett emerged as a major albeit controversial innovator in jazz. He succeeded in making completely improvised solo piano music not only critically acclaimed as afresh way of blending classical and jazz styles but also popular, particularly with young audiences. This essay examines the moment when Jarrett became an international star, the musical and social circumstances of jazz music immediately before his arrival and how he largely unconsciously exploited those circumstances to make his success possible, and what his accomplishments meant during the 1970s for jazz audiences and for American society at large.
Key Words
Keith Jarrett
;
Miscegenation
;
Rise of the European Sensibility
;
Jazz in the 1970s
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