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| 1 |
ID:
173878
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| Summary/Abstract |
The present study finds family quality of life index (FQLI) for 14 states of India. The study used 55 family health indicators collected from National Family Health Survey (NFHS) for the period 2005–2006 and 2015–2016. The Wroclaw taxonomic technique is used to find the FQLI. Small improvement has been observed in FQLI (2015–2016) in comparison with FQLI (2005–2006). Out of the 14 states, Goa is ranked first and Bihar is ranked last in the FQLI for the period 2005–2006 and 2015–2016. The study confirmed the existence of interstate disparities in FQLI.
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| 2 |
ID:
165523
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| Summary/Abstract |
The present study examines the regional disparities in social development in India by using social development index (SDI). The study used census-based data of 2011 including 28 states and seven union territories (UTs) of India. The study ends by ranking of states and UTs on the basis of development index consisting of 12 social indicators. This article also compares selected states on the basis of human development index (1981, 1991 and 2001) and SDI (2011) values. In addition, the study finds district-level SDI and ranks the districts of selected states, that is, Kerala, Haryana and Bihar. The findings of the study confirmed the northern–southern social development divide in India. The empirical findings show that Kerala is the best state among all states in India in terms of social progress. Results of the study confirmed huge disparities at district and states/UTs level in India.
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| 3 |
ID:
188750
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| Summary/Abstract |
This paper traces the centrality of rivers in twentieth-century and contemporary popular music and poetry in the regional context of Punjab in the north-west of the subcontinent. In contrast to the riverine imaginations in the songs of eastern or central India, we look at the very different evocations of rivers—both real and conceptual—in the subcontinent’s north-west. Rivers feature centrally in the love legends, devotional and folk poetry, and songs of Punjab, and here we trace a river-based ‘hydropoetics’ in Punjab, querying land-focused perspectives. From the metaphysical and the sacred to the sensual, and from the realms of the quotidian to those of mourning and trauma, we argue that in Punjab, ‘singing the river’ is central to people’s definitions of regional and ontological identity, and to the way they understand their place in the world.
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