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CODICOLOGY (2) answer(s).
 
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ID:   165769


Colophons and marginal notes of the avestan manuscripts of the pouladi’s collection in Yazd / Gholami, Saloumeh; Pouladi, Mehraban   Journal Article
Gholami, Saloumeh Journal Article
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Summary/Abstract About 150 years ago, after Avestan researchers such as Jackson, Browne, and Westergaard had unsuccessfully attempted to discover new manuscripts in Iran, it was assumed that there were few or no Avestan manuscripts remaining in Iran. However, recent research and fieldwork in Iran have resulted in important findings disproving this assumption. Since 2011, more than eighty-five Avestan manuscripts have been discovered in Iran. One of these important discoveries has been Pouladi’s Collection, which was found in February 2016 in a Zoroastrian house in the Priests’ Quarter (Mahalle-ye Dastūrān) in Yazd. This article deals with the secondary life of Avestan manuscripts of Pouladi’s Collection, focusing on colophons and marginal notes.
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2
ID:   168994


Ibrāhīm Sulṭān’s Muṣḥaf: The Qurʾān Calligraphed by Ibrāhīm Sulṭān in the Pars Museum / Mirza-Abolqasemi, Mohammad Sadeq   Journal Article
Mirza-Abolqasemi, Mohammad Sadeq Journal Article
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Summary/Abstract This article presents a very rare manuscript of a Muntakhab al-Suwar (selection of Qur’anic chapters) calligraphed by Ibrāhīm Sulṭān b. Shāhrukh. This manuscript was transcribed in large format in Ramaḍān 830 AH/June 1427 AD and endowed to the holy shrine of Shāh-Chirāgh in Ramaḍān 834 AH/May‒June 1431 AD. Therefore, it is considered to be one of the last known works calligraphed by Ibrāhīm Sulṭān. It is kept in the Pars museum in Shiraz. In this article, the unique codicology and special characteristics of this masterpiece are studied, and the important historical aspects of Ibrāhīm Sulṭān and the art works attributed to him are elaborated. The style of his calligraphy will also be examined to find out the sources of inspiration for his distinct style.
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