| Summary/Abstract |
Most of Iran’s urban population experienced the war with Iraq (1980–1988) through the burden of privation and the fear of possible airstrikes. Thus, state-produced media on national television became the main apparatus through which they connected their daily lives to the national conflict. Ravayat-e Fath [The Narrative of Triumph] was one docudrama, comprised of five seasons that the state produced at different intervals between 1984 and 1987. Although Ravayat-e Fath has been presented and received as a journalistic work, it enters the realm of fiction to fulfill its objective: To recruit soldiers. Through a collage of mythical stories, epic narratives, dramatic cinematography, mourning songs accompanied by reports from war fronts, and live interviews with soldiers, the series tells a story of a promised triumph through martyrdom. Through studying Ravayat-e Fath, the most important state-supported television production of the Iran-Iraq war era, this article investigates the ways in which war propaganda in general, and the concept of martyrdom in particular, generated tools like shaming to control the population during and after the war.
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