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CULTURAL TIES (2) answer(s).
 
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ID:   186776


Breakdown of EU-Russia Transnational Ties: Causes and Consequences / Romanova, Tatiana A   Journal Article
Romanova, Tatiana A Journal Article
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Summary/Abstract The article aims to explore the causes and consequences of the profound change in transnational ties between Russia and the European Union after February 24, 2022, that is, contacts that bypass official authorities and directly involve Russian and EU citizens (in business, science, education, culture, sports, and non-governmental organizations’ activities). The breakdown of ties is unique in speed and scale. Five causes of the breakdown of transnational ties have been identified: the position of EU officials towards Russian society; the rise of the war paradigm in the West and its pluralization (that is, its implementation on different tracks); reputational aspects; the perception of Russian society as homogeneous in supporting the operation in Ukraine; and pressure from Ukraine itself. As a result, relations between Russia and the EU have become more politicized and have lost the potential for resilience and mutual socialization. By limiting transnational ties, EU players help Russia’s ruling elite consolidate society and limit alternative thinking; they also change the vector of EU civilian power. At the same time, the rupture of transnational ties delivers a major blow to the universality of Western institutions, which will determine the pace of recovery both for Russian supporters of close relations with the West and for their opponents. The article also pinpoints certain mechanisms for rebuilding transnational ties in the medium term.
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2
ID:   167743


China's cooperation with the U.S.S.R. and Russia in filmmaking (1949-2019) / Isayev, Alexander   Journal Article
ISAYEV, Alexander Journal Article
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Summary/Abstract This paper traces and analyzes the main stages, trends and forms in the development of bilateral cooperation in the cinematic arena between the U.S.S.R./Russia and the People's Republic of China over the last 70 years. It is pointed out that each of the stages introduced qualitatively new elements into the cultural interaction of the two countries using the potential of cinema, the most popular of arts. Cooperation between the two countries in cinema rests today on the experience accumulated during all this time and creates a solid foundation for its furthering.
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