| Summary/Abstract |
The purpose of this article is to introduce and explore the political potential of visual autoethnography. I do so through my experience of working as a Swiss Army officer in the Korean Demilitarized Zone (DMZ). Drawing on my own photographs I examine how an appreciation of everyday aesthetic sensibilities can open up new ways of thinking about security dilemmas. I argue that visual autoethnography can be insightful not because it offers better or even authentic views – it cannot – but because it has the potential to reveal how prevailing political discourses are so widely rehearsed and accepted that we no longer see their partial, political, and often problematic nature. I illustrate this potential in two ways: (1) how a self-reflective engagement with my own photographs of the DMZ reveals the deeply entrenched role of militarised masculinities; (2) how my positionality and my photographs of everyday life in North Korea show that prevailing security discourses are highly particular and biased, even though they are used to justify seemingly objective policy decisions.
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