| Summary/Abstract |
In 2012, a Chinese developer, Zendai, purchased 1,600 hectares of land in Modderfontein, Johannesburg, and announced plans for a new urban megadevelopment. Hiring a Chinese designer, the company released a series of computer-generated images. Drawing on these, the media and many in the city perceived the site to be distinctly “Chinese,” rooted in futuristic, speculative visions of urbanity. At the same time, African urban research turned its attention to similar large-scale projects throughout the continent, and has continued to speculate on their consequences. Building on these two different interpretations of Modderfontein, this paper engages with the site as a manifestation of both global trends (e.g., increasing Chinese engagement with Africa, urban inter-referencing throughout the Global South) and a reflection of place- and context-specific factors. In doing so, we focus on the ordinariness of the project to interrogate how the idea of creating an ultramodern global economic hub, rooted in the experiences and practices of a Chinese-based developer, was in the end mediated by the actions of international consultants and the City of Johannesburg. We suggest that Modderfontein should be seen as a generative form of urbanism where elements perceived to be Chinese were lost in the master planning process. We argue that the socio-material dimensions of the project instead reflect a distinctly South African urbanism.
|