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| 1 |
ID:
172344
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| Summary/Abstract |
This article proposes ‘biopolitics multiple’ as an approach to the heterogeneity of biopolitical technologies deployed to govern migration today. Building on work that has started to develop analytical vocabularies to diagnose biopolitical technologies that work neither by fostering life nor by making people die in a necropolitical sense, it conceptualises ‘extraction’ and ‘subtraction’ as two such technologies that take ‘hold’ of migrants’ lives today. Extraction, explored in the article through a focus on borderzones in Greece, captures the imbrication of biopolitics and value through the ‘outside’ creation of the economic conditions of data circulation. Subtraction, which is analysed in this article through a focus on Calais, captures the practices of (partial) non-governing by taking material and legal terrain away from migrants and reconfiguring convoluted geographies of (forced) hyper-mobility. This move allows us to understand the governmentality of migration beyond binary oppositions such as ‘making live/letting die’, biopolitics/necropolitics and inclusion/exclusion.
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| 2 |
ID:
172343
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| Summary/Abstract |
Feminist scholars have provided important analyses of the gendered and racialised discourses used to justify the Global War on Terror. They show how post-9/11 policies were made possible through particular binary constructions of race, gender, and national identity in official discourse. Turning to popular culture, this article uses a Queer feminist poststructuralist approach to look at the ways that Ms. Marvel comics destabilise and contest those racialised and gendered discourses. Specifically, it explores how Ms. Marvel provides a reading of race, gender, and national identity in post-9/11 USA that challenges gendered-racialised stereotypes. Providing a Queer reading of Ms. Marvel that undermines the coherence of Self/Other binaries, the article concludes that to write, draw, and circulate comics and the politics they depict is a way of intervening in international relations that imbues comics with the power to engage in dialogue with and (re)shape systems of racialised-gendered domination and counter discriminatory legislation.
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| 3 |
ID:
172342
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This article furthers the debate on the political implications of the Anthropocene – the most recent geological epoch marked by catastrophic environmental change – by engaging it through the lens of political theology. The article starts from the observation that discourses on the Anthropocene and related political projects are deeply influenced by a linear temporality and a common orientation towards the threat of the end of time. It distinguishes three competing discourses of the Anthropocene, eco-catastrophism, eco-modernism and planetary realism. The article analyses how these discourses invoke and update key symbols, images, and storylines of Christian political theology. Furthermore, it studies how each discourse mobilises these secularised Christian motifs to promote competing planet political projects. Each of these projects develops a different position towards the unfolding planetary crisis and the related threat of the end of time. Eco-catastrophism calls for a planetary emergency management, eco-modernism promotes ongoing experimentation with the planet, whereas planetary realism translates into what could be called a ‘realpolitik of resilience’. Revealing the Western theological roots of the Anthropocene and planet politics is essential if the emerging literature on the Anthropocene wants to live up to its promise of pluralising and decolonising IR.
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| 4 |
ID:
172341
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| Summary/Abstract |
This article proposes a method for analysing museums as sites of intimate and colonially-produced international relations. Beginning with fieldwork that approaches museums as sites through which people intimately encounter the objects, institutions, selves and others of international politics, we explore how intimacy can be ‘read’ as socio-sexual affect, scales and proximities, and colonial differentiation/racialisation. The article is grounded in fieldwork at the British Army Royal Engineers Museum in Kent, UK, conceptualised as an assembly of, following Stoler, imperial debris. We explore how certain museum exhibits work as intimate ‘organising objects’, locating the museum collection, and those who visit or are excluded from it, within the intimate circulations of imperial and colonial violence. The article makes two core contributions: first, responding to recent literature in IR on museums we propose a framework for understanding how museums and exhibitions function as everyday sites of coloniality and racialisation. Second, we propose that approaching intimacy as a method is instructive for fieldwork in international relations (including museums) which takes the colonial constitution of the global/local seriously.
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