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| 1 |
ID:
179102
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| Summary/Abstract |
This paper expands upon a hitherto underexplored finding by Rich and Banerjee’s 2015 model which finds that Taiwan has done comparatively better with non-democracies in Africa. The paper proposes that democratisation makes an African state more responsive to domestic economic imperatives and thus more likely to form relations with the demographically and economically larger People’s Republic of China because of the prospective trade, aid and investment gains to be made once such a switch is affected. Seven case studies conducted over the 2001–2018 period yield results which are in line with this hypothesis.
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| 2 |
ID:
172553
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| Summary/Abstract |
Political leaders, policy-makers and academics routinely refer to development as an objective process of social change through the use of technical, value-free terms. Images of poverty and inequality are regularly presented as evidence of a world that exists ‘out there’ where development unfolds. This way of seeing reflects the value of scientific forms of knowledge but also sits in tension with the normative foundations of development that take European modernization and industrialization as the benchmark for comparison. The role images play in this process is often overlooked. This article argues that a dominant mode of visuality based on a Cartesian separation between subject and object, underpinning the ascendance of European hegemony and colonialism, aligns with the core premises of orthodox development discourse. An example of how visual representations of development matter is presented through images of Africa–China relations in western media sources. Using widely circulated images depicting China's impact on African development in western news media sources as an example of why visual politics matters for policy-making, the article examines how images play a role in legitimizing development planning by rendering associated forms of epistemological and structural violence ‘invisible to the viewer’.
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| 3 |
ID:
184128
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| Summary/Abstract |
This paper examines depictions of Africans in China during the period when China moved to establish diplomatic relations across the African continent – the foundation of what would become Africa–China relations today. Chinese posters were early forms of mass visual interaction with (the image of) foreign nationals. They reflect how Chinese society viewed itself in relation to others as it developed a global awareness through domestic mobilization. This study investigates how Africa and Africans are depicted in Chinese posters and how they shaped and/or reflected discourses of the period. It also examines motivations behind the inclusion of Africans in Chinese posters, arguing that this largely had a domestic rationale. By historicizing the meaning-making process of the image of Africa in 20th-century Chinese posters, this paper demonstrates that Chinese posters informed public opinion by defining friend and foe, focused more on China and her Cold War entanglements than on Africa, and simultaneously challenged and reinforced some widely held stereotypes about the continent.
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