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| 1 |
ID:
173063
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| 2 |
ID:
183685
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| Summary/Abstract |
Following several online and offline ethno-religious tensions in 2018 and 2019, social media (Facebook in particular) has become one of the scapegoats for instigating ethnic intolerance in Sri Lanka. Conjecture suggests that increased religious commitment and frequently shared religious expressions on social media are responsible for provoking ethnic intolerance. Against that backdrop, the present study investigates to what extent Facebook graphics expressing out-group intolerance are associated with in-group religious identification by analysing a sample of graphics posted on Facebook by a Sinhala-Buddhist community from 2011 to 2018. The findings reject the religious rationale and reveal that increased in-group religious identification does not necessarily characterize ethnically intolerant visual content on Facebook. Instead, online ethnic intolerance can be better attributed to threat perceptions and conspiracy theories.
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| 3 |
ID:
191868
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| Summary/Abstract |
This article discusses the outcomes of a Focus Group thematic analysis that revolved around the topic of using mobile Augmented Reality (AR) technology to help revive the Arabian Souk. The Old Souk of the city of Abu Dhabi was utilized as a case study for revival, using AR for a new form of smart tourism for the city. Major themes revealed both intangible and tangible elements through a variety of shops, products and personal experiences from those who have visited the Old Souk. The themes were then turned into an AR experience, in the form of three-dimensional (3D) computer-aided models, to aid in experiencing the once existing Old Souk on its original site today. This article points to the potential of recreating the Arabian Souk using AR technology as part of the Arabian Gulf’s smart tourism experience.
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| 4 |
ID:
185587
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| Summary/Abstract |
Developed ostensibly to enhance social interaction, social media has become a powerful tool of pedagogy, cognition and politics. Visual content is particularly powerful since it is processed quicker than text, generating immediate emotional responses and a higher degree of memorability. This study looks at the way ‘Sinhalaness’ has been visually portrayed on social media by Sinhalese users by analysing a body of visual artefacts publicly posted on Facebook between 2011 and 2018. A content analysis of these suggests that in the immediate period after the civil war (1983–2009), online Sinhalaness has become largely defined by an increased religious, specifically Buddhist, consciousness, supplemented by war memories. This contrasts with the largely linguistic basis of Sinhala identity articulated in the pre-2009 period.
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