| Summary/Abstract |
In Iran, the politically sanctioned discourses of embodiment and body management are based on binary notions of gender and sexuality. These discourses are contested by social trends that reflect political dissent. This article uses a combination of content and visual analysis of three Instagram profiles dedicated to fashion to answer the question: ‘Is queer fashion present in Iranian cyberspace’ and if so, ‘How does it persist against the existing queer-phobic political forces?’ The article explores aesthetic and fashion categories called ‘duffs’ and ‘puffs’ that offer queer embodied extravaganza in Iranian cyberspace, which is a more relaxed geography of morality and leisure in comparison with offline public spaces. The analysis includes duffs and puffs’ life style and performance that entails excessive deployments of femininity and masculinity, and exploration of their political significance and potential to undo gender norms in Iran. While they do not explicitly reject heteronormativity and/or capitalism, their non-participation in the conventional modes of money-making, and their erotic and sexual performance contributes to transformative politics. They offer antagonism to the normative power of mainstream gender and sexual ideologies by staining their heterogeneity through performances of fun, shock and failure.
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