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ID:
191811
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| Summary/Abstract |
My research highlights the complex relationship between narrative and temporality whilst exploring the narrative configuration of the Arab revolution. My paper situates the memoirs of Libyan novelist Hisham Matar’s The Return and Egyptian novelist Ahdaf Soueif’s Cairo: My City, Our Revolution, and their first-hand experience of the revolution in Libya and Egypt within the genre of memory and writing. The stated work is investigated to emphasize how both writers configure the immediate, historical, social, and political dimensions of the revolution. By transcribing the time of revolution into narratives, both writers attempt to preserve a watershed moment of the Arab history and portray collective as well as individual memory. I argue that through their acts of witnessing/writing/remembering, not only do these writers historicize the present but also produce narrative memory by articulating collective utterances.
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| 2 |
ID:
175041
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| Summary/Abstract |
My study is an attempt to examine recent developments in post-Arab Spring fiction by Anglo-Arab immigrant authors. Instead of conforming to the traditional narrative modes and strategies, post-Arab Spring literature provides a bitter evaluation of the so-called Arab Spring and deconstructs the revolutionary rhetoric that heralds a new era for the Arab world by producing a counter-narrative. The selected novels, Karim Alrawi’s Book of Sands and Youssef Rakha’s The Crocodiles, use peculiar strategies to portray the fractured and cryptic realities of the Arab world. Written within the framework of realism, utilizing the literary strategies of postmodern literature, these writers unsettle the boundaries of literary genres and give rise to diverse phenomenal trends in Arab fiction. Using magical realism, Alrawi expands the traditional realist narrative style by blending realist elements with magical. By employing metafiction, Rakha formally exhibits the precarious scenario of the Arab world. Drawing on the theory of Magical Realism and Metafiction, these works are investigated in order to emphasize how this new writing reflects the unstable reality of the Arab Spring. While it is too early to discern the characteristics of Post-Arab Spring literature, my research is a contribution to developing a framework in which to do so.
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