| Summary/Abstract |
At the origin of every war is an existential conflict and a recourse to violence that opens the “ontic” door of the enemy to transform him. Judgement corresponds to political logic, and violent existential transformation to the logic of war, which is engendered in that political matrix throughout the duration of hostilities. The objective nature of that logic structures the rationale of the theatre in terms of “performative” praxis, with two inseparable aspects: a violence that while destroying one order imposes an alternative one. The subjective nature of that logic is generated in its political matrix throughout the duration of the conflict, determining, in a dynamic way, its most basic formalization. Since war is engendered in politics, it adopts its character, a subjective nature that leads it to seek a peace treaty or a victory. In short, when the war begins, the political totality of each one of the belligerents starts to incorporate a new situation and, therefore, two logics coexist: one engendered in the other, and both conditioning each other. The symbiotic relationship between these two rationalities does not allow politics to dominate it according to the parameters of an instrumental reason.
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