| Summary/Abstract |
The archive is used both literally and metaphorically as a manifestation of the ubiquity of power and the authority invested in material archives. To work from the margin and in secrecy is a trait of the subaltern quest of both Wadood the bookseller and Dr Nameer, as well as the different characters of the De Molina family. The official history written by the powers that be marginalizes the other. However, the digging of the archives by the subaltern raises the hope of an alternative history that saves the traces of the subaltern. The archive includes physical archives, manuscripts, artefacts, stamps, cassettes, and photos, as amply shown in Fihris. In Ḥiṣn al-turāb, the archive has more of a metaphoric than literal meaning: it is the spectral topos of suppressed desire and recovered memory. The archive enables the subaltern to speak by digging up and even making up archives. Both quests are feverish and reflect the trauma that motivates digging up the past as recovered memory and the desire to keep traces of the past as tokens of a marginalized identity seeking redress. Archives are tokens of the past that threaten the integrity of the history written by the powerful: the hunter. The victims question that history and create nuisance that offers hope of a more just history that includes the marginalized subalterns.
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