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LOKMANOGLU, AYSE DENIZ (2) answer(s).
 
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ID:   191056


Censoring extremism: influence of online restriction on official media products of ISIS / McMinimy, Kayla; Winkler, Carol K ; Lokmanoglu, Ayse Deniz; Almahmoud, Monerah   Journal Article
Winkler, Carol K Journal Article
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Summary/Abstract Recognizing that militant, non-state groups utilize social media and online platforms to reach members, sympathizers, and potential recruits, state agencies and social media corporations now increasingly regulate access to accounts affiliated with such groups. Scholars examining deplatforming efforts have, to date, focused on the extent of audience loss after account restrictions and the identification of strategies for regrouping online followers on the same or different platforms over time. Left unexplored is if and how militant non-state groups adapt their official messaging strategies in response to platform restrictions despite continuing online access to them. To begin to fill that gap, this study compares ISIS’s 550 images displayed in the group’s official newsletter al-Naba six months before and after Europol’s November 2019 take-down of terrorist affiliated accounts, groups, channels, and bots on Telegram. It conducts a content analysis of images related to militaries and their outcomes, non-military activities and their outcomes, and presentational forms. The findings demonstrate that ISIS visually emphasizes its standard priming approach but shifts its agenda-setting strategy. While retaining some of its standard visual framing practices, the group also alters frames, particularly those related to images showing opposing militaries and military outcome.
Key Words Media  State-Building  Images  Militants  Visual Communication  ISIS 
Censorship al-Naba 
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2
ID:   179835


Coin as Imagined Sovereignty: a rhetorical analysis of coins as a transhistorical artifact and an ideograph in islamic state’s communication / Lokmanoglu, Ayse Deniz   Journal Article
Lokmanoglu, Ayse Deniz Journal Article
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Summary/Abstract This research argues that an imagined artifact, the IS coins, serves as a transhistorical artifact, condensing the larger ideology of the violent extremist organization of legitimacy and sovereignty. This paper conducts a qualitative content analysis on all references to IS Coin within Dabiq, al-Naba, Rumiyah and all the official videos publicized in the above magazines from April 2014 to September 2018. The power of one artifact, in this case, coin, embodies the whole ideology of ISIS and transports the ideology from the past to the present to the future and the artifact belongs to daily life, amplifies its power.
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