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ID:
183711
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| Summary/Abstract |
IR scholarship has recently seen a burgeoning interest in the right-wing populist politics of security, showing that it tends to align with the international ultraconservative mobilisation against ‘gender ideology’. In contrast, this article investigates how local feminist actors can resist right-wing populist constructions of (in)security by introducing counter-populist discourses and aesthetics of security. I analyse the case of Poland, which presents two competing populist performances of (in)security: the Independence March organised by right-wing groups on Poland's Independence Day and the Women's Strike protests against the near-total ban on abortion. The article draws on Judith Butler's theory of the performative politics of public assembly, which elucidates how the political subject of ‘the people’ can emerge as bodies come together to make security demands through both verbal and non-verbal acts. I argue that the feminist movement used the vehicle of populist performance to subvert the exclusionary constructions of (in)security by right-wing populists. In the process, it introduced a different conception of security in the struggle for a ‘livable life’. The study expands the understanding of the relationship between populism, security and feminism in IR by exploring how the populist politics of security is differently enacted by everyday agents in local contexts.
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| 2 |
ID:
184050
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| Summary/Abstract |
Populists have lately been at the forefront of securitisation processes, yet little attention has been paid to the relationship between populism and securitisation. This paper investigates the role of securitisation in populism, exploring how the populist mode of securitising differs from traditional securitisation processes. It argues that securitisation is inherently embedded in populism which embodies a particular style of securitisation with a distinct set of discursive and aesthetic repertoires. The populist invocation of societal security and their claim to defend the fundamentally precarious identity of ‘the endangered people’ necessitate an unceasing construction of new threats. Aiming to discredit ‘elitist’ securitisation processes, populism invests in a specific construction of the referent object, the securitising actor and their relationship to the audience. The populist securitising style also carries a distinctive aesthetic centred on ‘poor taste’, sentimental ordinariness and unprofessionalism, examining which can widen our understanding of the aesthetics of security.
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