| Summary/Abstract |
Breaker Morant dramatizes the historical trial of a trio of Australian lieutenants who were court-martialed for executing unarmed prisoners during the Second Boer War. The midpoint turned culmination of New Australian Cinema, this film serves as an instructive case study in how soldiers justify harsh acts of violence to themselves and others. The primary mouthpieces for such explanations are the title character and the defense attorney, Major Thomas. This article argues that these justifications are rooted in factors that both men cite repeatedly – the conduct of the enemy, the chain of command, and the nature of the conflict itself.
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