| Summary/Abstract |
Film was one of the new technological inventions of the ‘long nineteenth century’ that often instilled a fear of loss of the existing way of life and of disturbing existing social structures. In India, this manifested in a variety of ways, such as through the censorship of films by the government, but also by social codes which created major barriers for many to work in the film industry. In this article, I discuss film and its negotiations with caste in the twentieth century through close reading of the Indian Cinematograph Committee Report, film magazines, advertisements, audience responses and the speeches of nationalist leaders. I argue that rather than democratising desire by producing the universally desirable object of the star body, popular films in India produced desire that conformed to existing caste structures. The paper contributes to debates about early cinema and caste beyond the question of representation.
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